Portfolio

ART WRITING

Current Obsession Magazine

The Glitter, the Grit and the Grind: Uncovering London’s new jewellery scene 28 February 2024 (available in print, get in touch for a PDF)

Public Offerings Magazine

Kasia Wozniak: Distorted Nostalgia January 12 2023

FAD Magazine

Introducing the Filthy Fox Auction Club: Meet the London art school grads that are attracting new audiences 6 December 2023

Simone Brewster’s The Shape of Things: The critic is left at the door 4 September 2023

Review: Albion Waves at Bloomberg Space 29 March 2023

Collect 2023 has opened its doors at Somerset House and the category is: adornment baby! 2 March 2023

Review: Magdalena Abakanowicz: Every Tangle of Thread and Rope at Tate Modern 16 December 2022

Review: Anne Imhof Avatar II at Sprüth Magers 31 October 2022

Betsy Bradley’s First London Solo Exhibition at Vardaxoglou Gallery 21 September 2022

Radical Art Review

A menagerie of music taste: We Out Here 2023 reviewed 15 August 2023

“We Don’t Want to Be Boxed in Anymore”: Introducing New York’s Anti-Sweetheart Flossing 26 August 2022

Meet VLURE: the Glaswegian Post-Punk Five Piece Fighting for the Dancefloor 14 January 2022

Meet Array Collective: The Northern Irish art group combining party with protest 24 November 2021

Fostering Community Engagement In Southampton’s Abandoned Creative Quarter With ZEST Collective 17 January 2022

The Modernist Review Issue #28

Physical impression and the marks we leave behind; an analysis of Wolfgang Tillmans’ Faltenwurfs inspired by readings of Felix-Gonzalez Torres 16 February 2021

DRINKS WRITING

Cru Wine

Are sweet wines making a comeback? 5 September 2023

In favour of simplicity: Introducing Bertinga 4 October 2023

Burgundy Appellations Explained 9 November 2023

Bordeaux’s beating heart: Introducing Chateau Branaire Ducru 5 December 2023