ART WRITING
Current Obsession Magazine
The Glitter, the Grit and the Grind: Uncovering London’s new jewellery scene 28 February 2024 (available in print, get in touch for a PDF)
Public Offerings Magazine
Kasia Wozniak: Distorted Nostalgia January 12 2023
FAD Magazine
Introducing the Filthy Fox Auction Club: Meet the London art school grads that are attracting new audiences 6 December 2023
Simone Brewster’s The Shape of Things: The critic is left at the door 4 September 2023
Review: Albion Waves at Bloomberg Space 29 March 2023
Collect 2023 has opened its doors at Somerset House and the category is: adornment baby! 2 March 2023
Review: Magdalena Abakanowicz: Every Tangle of Thread and Rope at Tate Modern 16 December 2022
Review: Anne Imhof Avatar II at Sprüth Magers 31 October 2022
Betsy Bradley’s First London Solo Exhibition at Vardaxoglou Gallery 21 September 2022
Radical Art Review
A menagerie of music taste: We Out Here 2023 reviewed 15 August 2023
“We Don’t Want to Be Boxed in Anymore”: Introducing New York’s Anti-Sweetheart Flossing 26 August 2022
Meet VLURE: the Glaswegian Post-Punk Five Piece Fighting for the Dancefloor 14 January 2022
Meet Array Collective: The Northern Irish art group combining party with protest 24 November 2021
Fostering Community Engagement In Southampton’s Abandoned Creative Quarter With ZEST Collective 17 January 2022
The Modernist Review Issue #28
Physical impression and the marks we leave behind; an analysis of Wolfgang Tillmans’ Faltenwurfs inspired by readings of Felix-Gonzalez Torres 16 February 2021
DRINKS WRITING
Cru Wine
Are sweet wines making a comeback? 5 September 2023
In favour of simplicity: Introducing Bertinga 4 October 2023
Burgundy Appellations Explained 9 November 2023
Bordeaux’s beating heart: Introducing Chateau Branaire Ducru 5 December 2023